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生态存在必然诗意地寻归生命有机性的运演节律。对人来说,或者对人的生存来说,生态对文学、文学对生态,都依生态存在而动,都是人的生命活动状态使然。生命有机性既是人的自然之身及感性生命的基础,又有机呈现人的多重存在关系,更需要精神性及审美化的提升,文学则是其中重要提升力量。生命、人与文学的生成及效应则依循诗意的节律,既形成整体的有效性,又显示着各方的魅力。当生态批评作为一种文学现象出现,从发生之初到广泛影响实际都在极大地关注着人的生存问题,并探寻人何以能诗意生存。当生态批评作为文学活动在助力,必然要成就那种“有效”及“魅力”,其方法、策略及目的性追寻,旨在助推人的活动不断地融入诗意生存。事实上,生态批评的阐释、评论、理性确证及学理基质,就是通过生态整体及诗意性的综合性体验,把控生态、生命、人与文学间的诗意关系,彰显其相互促动、相互映衬的魅力。  相似文献   
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This paper shows how the metropolitan creative classes in Poland reacted to the changes in the organization of everyday life caused by the COVID-19 pandemic, especially its temporality and rhythmicity. The pandemic and lockdowns reorganized previous ways of experiencing and managing time. Based on our empirical research and research by other scholars, we have identified some of the most common disruptions of pandemic temporality. However, a vital element of the article is to specify how the social category we studied dealt with these disruptions. In doing so, we show that the response to the breakdown of the previous order of everyday life was to restore a sense of stability actively. We were also interested in the possible, also negative consequences of the findings for the social category under study. The empirical basis for the article are in-depth interviews conducted during the fourth phase of the ongoing research project [title anonymized], which began during the first weeks of the lockdown in Poland.  相似文献   
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