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Ross Collin 《Social movement studies》2013,12(4):448-465
This article examines how music functions as a vehicle by which people may place themselves in social movements. Centering questions of culture, the article describes how an environmentalist group based in the northeastern USA used music to: (1) assert a collective identity; (2) project a past, present and future; and (3) forge relationships among group members and between group members and the general public. Against this background, the article considers how a young activist used music to take on and adapt a movement identity and position himself within the movement's traditions and social relations. In a discourse analysis of a song this young activist composed and performed at the group's summer music festival, the article shows how he adapted a range of cultural resources to reimagine and place himself within the group's relations of time and social space. 相似文献
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