| 论日常生活与审美艺术的关系 |
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| 引用本文： | 祁艳. 论日常生活与审美艺术的关系[J]. 深圳大学学报(人文社会科学版), 2006, 23(5): 70-74 |
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| 作者姓名： | 祁艳 |
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| 作者单位： | 中山大学中文系,广东,广州,510275 |
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| 摘 要： | 日常生活属于经验世界,审美艺术具有情感性、自由性、独特创新性、开放对话性、反思性等特征,属于非日常生活世界。审美艺术与日常生活的关系演变经历了3个阶段:融合—分离—再融合。3种层面的日常生活审美呈现,表现出日常生活和艺术融合的趋向。把审美精神内化为生活态度,才算真正实现日常生活审美化。
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| 关 键 词： | 日常生活 艺术 审美化 |
| 文章编号： | 1000-260X(2006)05-0070-05 |
| 修稿时间： | 2006-04-20 |
On the Relations between Everyday Life and Aesthetic Art |
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| QI Yan. On the Relations between Everyday Life and Aesthetic Art[J]. Journal of Shenzhen University(Humanities & Social Sciences), 2006, 23(5): 70-74 |
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| Authors: | QI Yan |
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| Abstract: | While everyday life belongs to the experience world, aesthetic art is of such characteristics as sensibility, freeness, particular originality, opening to the outside and dialogue- type interaction, which belong to the non-everyday-life world. The relations between them two have undergone 3 periods: integration- separation-integration. The Aesthetic presentation has three levels of displaying everyday life, which represent the trend of the integration of them two. Only by transforming a person's aesthetic spirit into his/her attitude towards life can the aesthtcization of everyday life come true really. |
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| Keywords: | everyday life art Aestheticization |
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