| 明清徽州建筑雕饰的意象构成模式与文化解析 |
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| 引用本文： | 程波涛.明清徽州建筑雕饰的意象构成模式与文化解析[J].学术界,2011(5). |
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| 作者姓名： | 程波涛 |
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| 作者单位： | 安徽大学艺术学院,安徽合肥,230001 |
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| 基金项目： | 国家社科基金艺术学项目《民俗艺术学研究》(项目号:09BA010); 教育部项目《徽州工艺的艺术特色和历史价值》(项目号06JJD760001); 安徽大学“国家211三期”建设项目“徽学与地域文化”; 安徽省教育厅基金项目《徽州民俗艺术研究》(项目号2009SQRS015)的成果 |
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| 摘 要： | 明清徽州建筑雕饰的意象构成模式复杂多样,内容丰富精美,具有多重价值。本文从多元文化视角,对此意象构成模式进行分类,依照其所生成的具体历史语境,并结合文化传统和当地社会风俗,分别从其表现的思维模式、民俗观念、生存意愿、生活追求、精神需求等方面进行解析,重在揭示其背后的文化成因与精神意义。
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| 关 键 词： | 明清 徽州建筑雕饰 徽文化 意象构成 文化解析 |
Image's Constituent and Culture's Interpretation of Hui Zhou's Carved Decorations in Ming and Qing Dynasty |
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| Cheng Botao.Image's Constituent and Culture's Interpretation of Hui Zhou's Carved Decorations in Ming and Qing Dynasty[J].Academics in China,2011(5). |
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| Authors: | Cheng Botao |
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| Institution: | Cheng Botao Art Institute of Anhui University |
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| Abstract: | The idea-image's constituent of Hui Zhou's carved decorations in Ming and Qing dynasty are very complicated and abundant which also contain multi-ply value.The article would classify idea-image's constituent of Hui Zhou's carved decorations by the local condition,culture,tradition and so on.It would also expound people's thinking model,folk-custom,willing,life pursuit and so on to reveal the reason of this culture and spirit phenomena. |
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| Keywords: | Ming and Qing Dynasty Hui Zhou's carved decorations Hui Zhou's culture idea-image's constituent the culture of interpretation |
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