首页 | 本学科首页   官方微博 | 高级检索  
     

面向21世纪的中国绘画美学
引用本文:薛扬. 面向21世纪的中国绘画美学[J]. 东南大学学报(哲学社会科学版), 2005, 7(3): 78-82
作者姓名:薛扬
作者单位:东南大学,人文学院,江苏,南京,210096
摘    要:业已到来的2 1 世纪无疑是更加开放、更加自由的时代,经济、政治的全球化,以及文化的不断整合,使得传统艺术的审美观将在新的世纪里受到最大的冲击。对于新世纪的自由空间来说,只有审美文化才能够真正地贴近人类的本性,因此,越是有着自由发展的空间,艺术就越要立足于自己固有的本色,这才是其发展的有力基础,艺术家失掉了风格也就失掉了自己;同样的,中国画没有了中华文化的审美基础也就没有了立足点。所以,只有坚持立足于中国的传统文化来发展中国画,才会使其前途远大。

关 键 词:新世纪  民族性  中国绘画  发展
文章编号:1671-511X(2005)03-0078-05
修稿时间:2004-03-15

Aesthetics of Chinese painting in 21st century
Xue Yang. Aesthetics of Chinese painting in 21st century[J]. Journal of Southeast University(Philosophy and Social Science ), 2005, 7(3): 78-82
Authors:Xue Yang
Abstract:Faced with the new century, the aesthetic view of Chinese painting adopted in the 20th century cannot meet the new challenge. For the free space in the new century, only the aesthetic culture is close to the human nature. Therefore, art in the free space should stick to its original features as they are the foundation of its further development. An artist will lose himself if he loses his style. The same is true with Chinese painting if it is cut from the Chinese aesthetic culture. Chinese painting must establish itself on the basis of Chinese traditional culture for a bright future.
Keywords:
本文献已被 CNKI 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号