美学发现与价值重塑:农业文化遗产的审美转向

农业文化遗产常被看作是传统农村生产性、生活性与生态性的集合体,其美学价值却一直未受重视。农业文化遗产学初创期并未将审美纳入致思范畴,后经典美学为农业文化遗产提供了新的理论视角,但自身话语存在解释力不足的问题,直到大众化的乡村审美活动兴起并确证了农业文化遗产的大美所在。农业文化遗产具有不同于传统审美对象的美学特性,其独特性的根本来源是功利性和群体性的农民生产实践,这也决定了农业文化遗产无法脱域,须介入式审美以引发审美经验。美学价值的重塑为农业文化遗产活态传承提出了新的内在要求,构建农业文化遗产美学理论与话语体系势在必行。

The Discovery of Aesthetics and Value Reconstruction:The Aesthetic Turn of Agricultural Heritage

Agricultural heritage is often regarded as a collection of traditional rural production,life and ecology,but the aesthetics about it,which should also be a basic attribute,has never been taken seriously.In the initial stage of agricultural heritage science,aesthetics was not included in the category of thinking.Later,classical aesthetics provided a new theoretical perspective for agricultural heritage.However,because its own discourse had the problem of insufficient explanatory power,until the popularization of rural aesthetic activities sprang up and found the great beauty of agricultural heritage.Agricultural heritage has aesthetic characteristics which are far different from the traditional aesthetic objects.The fundamental source of its uniqueness is the utilitarian collective production practice of farmers,which also determines that the agricultural heritage can not be separated from its domain and must be aesthetically involved to trigger aesthetic experience.The reshaping of aesthetic value puts forward new internal requirements for the living inheritance of agricultural heritage,so it is imperative to construct the aesthetic theory and discourse system of agricultural heritage.