当代文学监狱叙事的伦理嬗变——以《红岩》《男人的一半是女人》《报告政府》为样本

监狱叙事虽然没有成为过中国当代文学叙事的主流，但是作为一种文学存在，考察其叙事伦理的嬗变也有某种学术意义。以六十年代的《红岩》、八十年代的《男人的一半是女人》及新世纪初的《报告政府》为样本的当代监狱叙事，形成了“超我”——“自我”——“本我”的叙事伦理谱系。这暗合着中国当代文学从高度意识形态化向更为多元的世俗化的演变，也暗合着中国当代文学所折射的中国社会文化心理从拘束到开放到多元的深刻变迁。

The Ethical Changes in the Prison Narratives in Contemporary Literature: Taking "Red Rock", "Woman as the Half of Man", and "Reporting Government" as the Specimens

The Research on the ethical changes in the Prison Narratives has its own academic value, though they are not the mainstream in Chinese Contemporary Literature. The Prison Narratives, as the 1960s ＂Red Rock＂, the 1980s ＂Woman as the Half of Man＂, and the 2000s ＂Reporting Government＂, have come into be- ing a narrative ethical genealogy as ＇superego＇, ＇ego＇ and ＇id ＇. Such genealogy reflects the changes in Chinese Contemporary Literature from the ideological form to multiplex mundane ones, and the changes in the social-cul- tural psychology from constrain, to opening and multiplex.