中国经典诗词主题现实化的整合理论诠释

概念整合理论起源于心理空间理论,是关于复合语言单位意义整合生成的一种认知学说,目前已成为认知诗学的一个重要组成部分,被广泛用于文学文本的分析和研究之中。在中国经典诗词中,涉及主题思想现实化的整合模式有镜像型网络整合模式、单域型网络整合模式和双域型网络整合模式。镜像型网络整合模式的特点是四个心理空间的组织框架是相同的,其中两个输入空间的所有元素彼此之间都呈现出映射关系,诗词的主题思想在两个输入空间的对比整合中产生。在单域型网络整合中,两个输入空间的组织框架是不同的,而且只有其中一个输入空间的组织框架被投射到合成空间为该空间提供组织框架,继而被作为解读诗词主题思想的基础。同单域型网络整合一样,双域型网络整合的两个输入空间在组织框架上也非常不同,但两个输入空间的组织框架均有一部分结构或特征被投射到合成空间,通过组合等认知运作机制而产生诗词的主题思想。

A Cognitive-poetic Approach to the Study of Classic Chinese Poetry from the Perspective of Conceptual Blending Theory

Conceptual blending, a cognitive theory on meaning blending, originates from mental space theory. It has become an integrated part in cognitive poetics since it appeared and has been widely used for the study of literary texts. In the analysis of the classic Chinese poetry, the blending models concerned are respectively mirror networks, single-scope networks and double-scope networks. Mirror networks are characterized by the same organizing frames in four mental spaces and the one to-one mapping relationships between the elements in the first input spaces and those in the second. The themes are produced in the blending of the input spaces. In single-scope networks, the two input spaces have different organizing frames and only one of them is projected onto the blended space as the basis for the interpretation of the themes. The input spaces of the double scope networks also differ from each other in their organizing frames. Yet parts of the two frames are projected together onto the blended spaces, resulting in the actualization of the poetry themes.