私人领域缺失下的建国后30年间审美文化活动

建国后30年间，国家与社会的直接统一造成了私人领域的极度萎缩，具体表现为日常生活的非日常化、家庭的名存实亡和内心情感领域的政治化。如此一来，原本作为公共活动的政治生活与作为私人性的精神文化生活便搅扰在一起，各自都失去了本真面貌，尤其是人们的审美文化活动偏离了个性与自由的真义，表现出鲜明的政治化、纪律化和公共化倾向。不仅审美文化活动的时空遭到挤压、审美文化活动的方式受到严格规定，而且审美文化活动的内容也受到全面限制。但是在权力的空隙之处，仍有审美文化透露出自由与个性的流风余韵，见证着人性的顽强不屈。

Aesthetic Cultural Activities during the First Thirty Years of New China's

During the 30 years since the founding New China,the space of privacy has overtly shrunk itself due to the immediate unification between the state and society.As a result,political life belonging to public activities has been mixed up with the spirit cultural life of private activities.Consequently people's aesthetic activities have lost their personality and freedom.Not only the space-time of aesthetic activities has shrunk,the style has been limited,but also their range has been overly confined.However,in the gap of power control,we still can achieve freedom and personality from that period's aesthetic culture.