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解读西藏岩画和唐卡绘画艺术属性的相似点
引用本文:赵大军. 解读西藏岩画和唐卡绘画艺术属性的相似点[J]. 西藏研究, 2006, 0(3): 52-58
作者姓名:赵大军
作者单位:山东临沂师范学院美术系,山东,临沂,276000
摘    要:西藏岩画和唐卡绘画作为极具藏民族传统特色的绘画遗迹和绘画艺术样式,虽然在特征、类型、产生时代等方面有所差异,但相同的地域性和内在延绵的精神倾向又使二者之间在产生原因、表现题材及表现形式和绘制技法等艺术属性上有着不同程度的相似性,解读和研析这些相似点,有助于我们了解和体味藏民族绘画艺术动态的嬗变轨迹与独特的审美价值。

关 键 词:西藏岩画  唐卡绘画  艺术属性相似点
文章编号:1000-0003(2006)03-052-07
修稿时间:2006-03-20

To Study the Center of Similitude of Artistic Attribute of Tibetan Stone Drawings and Tangkha Painting
Zhao Da-jun. To Study the Center of Similitude of Artistic Attribute of Tibetan Stone Drawings and Tangkha Painting[J]. Tibetan Studies, 2006, 0(3): 52-58
Authors:Zhao Da-jun
Abstract:Tibetan Stone Drawings and Tangkha paintings as the drawing vestige and the drawing art style of extremely possess the Tibetan national minority traditional features. Although there is some differences in the characteristics, the type, produces time aspect and so on, but the same region and the spiritual tendency of intrinsic extends causes the varying degree similarity about artistic attribute of performance theme and manifestation and plan technique and so on between the two. Discussing and analyzeing these centers of similitude, is helpful for us to understand and appreciate the dynamic evolution path and the unique esthetic idea of Tibetan national minority drawing art.
Keywords:Tibetan stone drawings  Tangkha paintings center of similitude of artistic attribute
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