| 《聊斋志异》的崂山道教形象书写 |
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| 引用本文： | 梁思媛. 《聊斋志异》的崂山道教形象书写[J]. 成都理工大学学报(社会科学版), 2016, 24(6): 81-86. DOI: 10.3969/j.issn.1672-0539.2016.06.016 |
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| 作者姓名： | 梁思媛 |
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| 作者单位： | 广西大学 文学院,南宁,530004 |
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| 摘 要： | 《聊斋志异》中书写崂山的篇目都是关于道教的，蒲松龄通过对崂山人、仙、物、空间的构建，展现了崂山“神异”、“神仙”、“神圣”的不同形象。崂山篇目对道教的强调和对佛教的忽略，显示出崂山本土的“道盛佛衰”以及蒲松龄本人在道教影响下的新创举。
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| 关 键 词： | 《聊斋志异》 崂山 道教 蒲松龄 |
On the Description of the Image of Laoshan Taoism in StrangeStories fromaChinese Studio |
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| Abstract: | The chapters about Laoshan are all Taoism inStrangeStoriesfromaChineseStudio.Through building a four-layer structure of Laoshan people, immortals, obj ects and space, Pu Songling presented different images of Laoshan characterized by “Mystery”,“Immortals”and“Sacredness”.In the chapters about Laoshan,Pu Songling laid stress on Taoism but lost sight of Buddhism,which revealed the reality of“the rise of Taoism and the decline of Buddhism”and the new creation of Pu Songling himself under the influence of Taoism. |
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| Keywords: | Strange Stories from a Chinese Studio Laoshan Taoism Pu Songling |
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