| 清兮？浊兮？——从阎真的《沧浪之水》谈起 |
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| 引用本文： | 陈文钢. 清兮？浊兮？——从阎真的《沧浪之水》谈起[J]. 西南交通大学学报(社会科学版), 2006, 7(2): 15-19 |
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| 作者姓名： | 陈文钢 |
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| 作者单位： | 浙江大学国际文化学系,浙江,杭州,310027 |
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| 摘 要： | 《沧浪之水》在叙事上由于叙事目的过于功利而有简单化之嫌,作者成了叙事的僭越者和万能主宰。其对知识分子的前设与在文本中表现出来的所谓知识分子的行止的自相矛盾昭示作品本身的世故,没有超越维度。一个简单的故事弄成了世故的咏叹调。
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| 关 键 词： | 叙事 知识分子 趣味 审美维度 世故 |
| 文章编号： | 1009-4474(2006)02-0015-05 |
| 修稿时间： | 2005-06-08 |
Clean or Dirty: Comment on The Water of Dark Blue Wave by Yan Zhen |
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| CHEN Wen-gang. Clean or Dirty: Comment on The Water of Dark Blue Wave by Yan Zhen[J]. Journal of Southwest Jiaotong Universit(Social Science Edition), 2006, 7(2): 15-19 |
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| Authors: | CHEN Wen-gang |
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| Abstract: | The narration in The Water of Dark Blue Water seems to be simplified due to the purpose of narration with too much utility,and the author actually dominates and controls the narration.The(presupposition) about the intellectual and the paradox between the words and actions of so-called(intellectual) in the text indicate that the novel is worldly wise and does not surpass any aesthetical (dimensionality.) A simple story is nothing but a worldly wise aria. |
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| Keywords: | narration intellectual taste aesthetical dimensionality worldly wise |
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