| 虚静的美学意义——从审美观照的视角出发 |
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| 引用本文： | 刘春雷. 虚静的美学意义——从审美观照的视角出发[J]. 吉首大学学报(社会科学版), 2008, 29(5): 64-68 |
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| 作者姓名： | 刘春雷 |
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| 作者单位： | 烟台大学,学报编辑部,山东,烟台,264005 |
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| 摘 要： | 审美虚静对审美观照不但具有方法论、本体论和生存论三方面的意义，而且促成了审美主体对单维度生理、心理欲望及其感性杂多世界与单维度知性、理性的知解活动及其知识产物的双重超越，从而开启了本真澄明、生机氤氲的审美世界和生命境界。审美虚静通过有限的在场开启无限的不在场，在“悬置”中“还原”万事万物的本性，这正是审美超越的要义所在。
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| 关 键 词： | 虚静 观照 审美 超越 |
On the Significance of Emptiness: from the View of Aesthetics |
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| LIU Chun-lei. On the Significance of Emptiness: from the View of Aesthetics[J]. Journal of Jishou University(Social Science), 2008, 29(5): 64-68 |
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| Authors: | LIU Chun-lei |
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| Affiliation: | (Journal Editorial Board, Yantai University, Yantai, Shandong 264005, China) |
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| Abstract: | Aesthetic emptiness is not only significant to aesthetic view in methodology, ontology and existence, but also causes a dual leap of aesthetic subject in recognizing both the single-dimensioned and multi-dimensioned physical and mental desires and their intellectual product, thus it is an enlightenment to aesthetic world and life.The significance of aesthetic emptiness lies in that it makes the limited field unlimited and resurrecting everything to their nature. |
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| Keywords: | emptiness view aesthetic leap |
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