在场主义散文的理论渊源及其发展和影响

在场主义散文的兴起是近年来当代中国文坛的一个重要事件。在场主义散文理念的提出主要借鉴吸收了现代西方现象学和解构主义哲学家们对西方传统"在场形而上学"的批判及其在此基础上所建构的"在场"思想,在场主义散文理念的提出在某种程度上也是对中国古代文论和美学中的"尚质"文艺观的回应。在继承以往有关"在场"的理论资源的基础上,在场主义散文理念代表人物也有所批判和发展,并赋予了"文学在场"以一定的新的内涵。在场主义散文的文学在场观主要体现在其核心概念"四非"说和"五性"说上。在场主义散文的文学在场观,既体现了一种对传统的僵化的散文观的消解精神,也体现了一种坚守文学的意义、真理和社会意义的主体性和现代性精神。在场主义散文的兴起及其散文理念的提出为当代中国文学的发展树立起了一个标杆,对扭转当下文坛的一些浮泛风气具有积极作用。

Theoretical Origin and Development of the Anwesenheit Prose

Introduction of Anwesenhei Prose into contemporary Chinese literature is an important event .The proposed concept of Anwesenhei Prose is an absorption of the modern western phenomenology and deconstructive philosophy through criticizing the traditional western “metaphysics of presence” and construction of the “presence”thoughts .The Anwesenhei Prose to some extent responds to the ancient Chinese literary theory and aesthetics of“esteeming the essence”.Based on the previous theoretical resources , representatives of this theory also try to criti-cize and develop this school of prose .The literary scene of the Anwesenhei Prose is essentially represented by its core concept of “four nons” and“Five Characters”.The Anwesenhei Prose not only reflects the digestion of the tra-ditional and rigid prose view , but also embodies the persistence in the literary meaning , truth and social meaning . It is a benchmark of the contemporary Chinese literature and has a positive effect .