| 唐代送别诗的修辞意象刍论 |
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| 引用本文： | 许智银.唐代送别诗的修辞意象刍论[J].河南理工大学学报(社会科学版),2008,9(4). |
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| 作者姓名： | 许智银 |
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| 作者单位： | 河南科技大学文法学院; |
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| 基金项目： | 河南省教育厅人文科学研究项目“唐代离别诗研究”(2004-GH-032)的阶段性成果 |
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| 摘 要： | 唐代诗人在送别诗中常将诗歌修辞和诗歌意象完美整合,从而产生出意想不到的全新的审美意境。其中把水意象和比喻、拟人、夸张、对比等修辞手法结合起来表达离情别绪的最多。而春风、春色、落花、落叶、青山等,也都因与诗人的离别意绪在瞬间相吻合而被诗人捕捉为意象,辅以巧妙的修辞手法,创造出千古言情绝唱。
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| 关 键 词： | 唐代 送别诗 修辞意象 |
On the Rhetoric and Image of the Seeing-off Poems in the Tang Dynasty |
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| XU Zhi-yin.On the Rhetoric and Image of the Seeing-off Poems in the Tang Dynasty[J].Journal of Jiaozuo Institute of Technology(Social Sciences),2008,9(4). |
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| Authors: | XU Zhi-yin |
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| Institution: | XU Zhi-yin(College of Law , Liberal Arts,Henan University of Science , Technology,Luoyang 471003,China) |
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| Abstract: | Poets in the Tang Dynasty often combined poem rhetoric and poem image perfectly in the seeing-off poems and thereby showed new aesthetic artistic conception. Most of the poems adopted the combination of water image and the rhetorical methods like comparison,personification,exaggeration and contrast in expressing sadness when departing. While,those like spring wind,spring scenery,fallen leaves and flowers as well as green mountains,would also appear as images in the poems due to their coincidence with the po... |
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| Keywords: | the Tang Dynasty seeing-off poem rhetoric and image |
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