论先秦寓言的朦胧美

先秦寓言是镶嵌在先秦散文中的粒粒明珠，因此对母体散文具有很强的依附性；但它故事完整，情节生动，形象鲜明，是完全可以单独存在的，在先秦时代唯一能称得上的纯文学作品，这样在依附与独立之间，就产生了转义、歧义与多义，从而带来了寓言作品的朦胧感。而象征主义的创作方法所带来的思想先于形象和形象大于思想，人物性格的类型化，形似与神似和形神契合、虚实同体的乖谬，又给先秦寓言蒙上了一层厚厚的面纱。特殊的审美中介和审美中介的差异，人们反复咀嚼时出新意的审美情趣，则使先秦寓言的朦胧美充满了生命的活力。

On the Dim Beauty of Pre-Qin Fables

Pre-Qin fables are the pearls of the then prose writings.Each fable has a complete story with vivid plot and striking image.They are the only works that can be regarded as pure literature in Pre-Qin period.They are both attached to and independent from prose,hence producing a dim beauty.However,their symbolist creation method of idea coming before image and image prevailing idea and the combination of form resemblance and spirit remblance gives them a thick veil.Special esthetic media and difference between the media make Pre-Qin fables ever more beautiful and vigorous.