论诗人丁芒的文学贡献

或许可以用“两栖”、“三擅”、“四维度”来概括丁芒迄今为止的诗学与文学事业。所谓“两栖”即丁芒自己“自嘲”和总结过的“两栖诗人”：兼写新诗和旧诗两种诗体。他发蒙于旧诗,成就于新诗,复又回归于旧诗,同时以非凡的胆识和魄力倡导着新诗与旧诗的融合。所谓“三擅”,盖指丁芒分别在文学创作、理论批评和书法艺术三方面的擅长及其佳绩。所谓“四维度”是指他的诗歌及文学活动体现着四个维度：探幽古典,面向未来,身体力行,关注青少年。丁芒还是一位始终洋溢着生命热情的诗人,生命的感兴及其诗性表现常使得他的诗情超越时代的限制而通向久远,他早期战争年代写的诗及1983年写出《生命钟》后的诗大都体现了这个特点,特别是80年代末至90年代写的怨刺之诗说明了芒回复自我生命感兴以后才使得他的诗词重新获得了个我的灵魂。

On Ding Mang's Literary Contributions

Ding Mang's literary achievements might be summed up with"amphibious","three strong-points" and "four dimensions". Being amphibious refers to his being an "amphibious poet", i. e., he writes new verse and classical poetry. He ho his education by taking up classical poetry, culminates in new verse, then returns to classical poetry and advocates courageously the merging of the two. "Three strong-points" refer to his remarkable achieements in literary creation, theoretical criticism and caligraphical art. "Four dimensions" refer to dimensions in exploring the classic, facing the future, practicing in person and showing concerns for the young. Ding Mang is also a passionate poet and that spontaneity in his life and poetry makes it possible for ban to transcend the limits of the times. This finds expression in his early war poems and those after Bell of Life(1983).His poems of resentment in 1980's and 90's are proofs of the renewal of his individual soul after his return to spontaneity of individual life.