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高丽诗学范畴初探
引用本文:张振亭,金海救. 高丽诗学范畴初探[J]. 延边大学学报, 2007, 40(5): 65-69
作者姓名:张振亭  金海救
作者单位:延边大学人文社会科学学院中文系 吉林延吉133002(张振亭),延边大学朝鲜-韩国学学院 吉林延吉133002(金海救)
摘    要:朝鲜高丽时期的诗学范畴基本上承袭了中国古典诗学的思维方式与表述方式,但这种承袭决不是原封不动的抄袭,而是将中国古典诗学与自我的诗学创造性地"调和"在一起。从根本上讲,高丽诗学范畴的样态与中国古典诗学大体一致,也是在人类学意义上的"气"、艺术学意义上的"象"及哲学意义上的"道(风流)"所构成的三维动态的人文结构体系中展开与演绎的。三者之间的矛盾和相互运动,就幻化出高丽诗学范畴的不同样态。

关 键 词:高丽  诗学范畴  主体间性      道(风流)
文章编号:1009-3311(2007)05-0065-05
修稿时间:2007-08-12

The Exploration of the Poetic Category in Koryo Dynasty of Korea
ZHANG Zhen-ting,JIN Hai-jiu. The Exploration of the Poetic Category in Koryo Dynasty of Korea[J]. Journal of Yanbian University(Social Sciences), 2007, 40(5): 65-69
Authors:ZHANG Zhen-ting  JIN Hai-jiu
Abstract:The poetic category in Koryo Dynasty of Korea basically inherited the ways of thinking and expression from Chinese classic poetry.The inheritance,however,is definitely not the act of plagiarism,but a "melting creation" which combined Chinese classic poetry with native styles.In fact,the poetic category of Koryo Dynasty and Chinese classic poetry coincide in many respects.The poem creation was started and developed on the basis of a dynamic three-dimensional structure: humans' "spirit",the artistic "image" and the philosophical "moral"(i.e.styles and trends).The interaction and contradiction among them turn out to be the variety of poetic category in Koryo Dynasty.
Keywords:Koryo  poetic category  relation of subjectivity  spirit  image  moral(style and trend)  
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