| 中国书法美学视野中的书“韵”论 |
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| 引用本文： | 何世剑.中国书法美学视野中的书“韵”论[J].西华大学学报(哲学社会科学版),2008,27(1):91-95. |
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| 作者姓名： | 何世剑 |
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| 作者单位： | 南昌大学艺术与设计学院,江西南昌,330074 |
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| 摘 要： | "韵"是中国书法美学视野中的重要审美范畴,其运行轨迹,大致是衍化于唐前,成型于宋,深化于元明清.书"韵"生成,源发自书法主体有雅量、气度、神采、高格;对于书法客体来说,即书作要能有"余意"、"态度"、"书外意"、"幽趣";创作方法上,"和"是要领,多用"卧笔"、"圆笔"、"提笔"、"飘笔",须"藏锋"、"虚和取韵".
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| 关 键 词： | 书法美学 书"韵" 渊源流变 生成机制 中国 书法 美学视野 Calligraphy Chinese Visual Field 圆笔 要领 创作方法 幽趣 外意 书作 高格 雅量 主体 元明清 成型 唐前 运行轨迹 审美范畴 |
| 文章编号： | 1672-8505(2008)01-0091-05 |
| 修稿时间： | 2007年9月28日 |
Yun in the Aesthetic Visual Field of Chinese Calligraphy |
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| HE Shi-jian.Yun in the Aesthetic Visual Field of Chinese Calligraphy[J].Journal of Xihua University:Philosophy & Social Sciences,2008,27(1):91-95. |
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| Authors: | HE Shi-jian |
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| Institution: | HE Shi-jian(School of Art , Design,Nanchang University,Nanchang,Jiangxi,330074) |
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| Abstract: | Yun is one of the most important aesthetic categories in the aesthetic visual field of Chinese calligraphy.Yun was introduced to the painting criticism before Tang Dynasty,shaped in Song Dynasty and substantiated and developed in Yuan,Ming and Qing Dynasties.That's to say,its formulation comes from subject's magnanimity,manner,expression,and high moral character.As far as object is concerned,the works of calligraphy need to have implication or insinuation.The methods of creation strive for harmonious style,... |
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| Keywords: | aesthetic calligraphy Yun rheology of origin production mechanism |
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