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中国古典美学与避暑山庄
引用本文:张德锤. 中国古典美学与避暑山庄[J]. 燕山大学学报(哲学社会科学版), 2002, 3(1): 59-61
作者姓名:张德锤
作者单位:承德民族高等师范专科学校,河北,承德,067000
摘    要:中国园林的发展演变,经历了由大变小的过程,这也是“自然天成” 的美学原则形成的过程。到了清代追求质朴自然成为时尚。康熙乾隆构建避暑山庄的万树园时,运用了因势造园的法则。在处理万树园与周围景观关系时,运用了虚实相生和自然过渡的方法,构筑了一幅天然的画图。

关 键 词:古典美学  避暑山庄  万树园
文章编号:1009-2692(2002)01-0059-04
修稿时间:2000-10-17

Chinese Classical Aesthetics and the Arts of Gardening of the Summer Palace in Chengde City
ZHANG De-chui. Chinese Classical Aesthetics and the Arts of Gardening of the Summer Palace in Chengde City[J]. Journal of Yanshan University:Philosophy and Social Sciences Edition, 2002, 3(1): 59-61
Authors:ZHANG De-chui
Abstract:In the process of the development of Chinese gardening there have been the changes from big sizesto small sizes, which is virtually a process of forming the aesthetic principle of "natural beauty". In the timesof Qing Dynasty this taste of keeping gardens in a simple and natural way became a fashion. When EmperorKang xi and Emperor Qian long respectively constructed the Wanshuyuan Garden in the Summer Palace of Che-ngde, the principle of "taking advantage of the natural geographic conditions" in building up the garden wasapplied. In dealing with the relations between Wanshuyuan Garden and its surrounding scenery a method ofmutual support of "being hollow and being solid" was used to achieve the natural harmony, thus a natural scen-ery picture was naturally drawn.
Keywords:classical aesthetics  the Summer Palace of Chengde   the Wanshuyuan Garden  
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