| 诗境画境比较浅谈 |
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| 引用本文： | 周翔华.诗境画境比较浅谈[J].中南民族大学学报(人文社会科学版),2006,26(1):154-159. |
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| 作者姓名： | 周翔华 |
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| 作者单位： | 北京师范大学,中文系,北京,100875 |
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| 摘 要： | 中国诗画相通的最根本原因在于诗境画境在创造、表现、审美感知层面上的相通相融与相似,然“画境异乎诗境”,遂有“诗画互补”之说。诗画互补是中国艺术魅力生成的重要元素。
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| 关 键 词： | 中国古典诗和绘画 意境 比较 |
| 文章编号： | 1672-433X(2006)01-0154-06 |
| 修稿时间： | 2004年7月20日 |
A Comparison between Poetic Image and Painting Image |
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| ZHOU Xiang-hua.A Comparison between Poetic Image and Painting Image[J].Journal of South-Central University for Nationalities:Humanities and Social Science,2006,26(1):154-159. |
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| Authors: | ZHOU Xiang-hua |
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| Abstract: | The reason why Classical Chinese poetry and traditional Chinese painting are interlinked is that they are interlinked,complementary and similar to each other in creation,expression and aesthetic perception.However,"poetic image is different from painting image",so that there exists a theory that "painting and poetry are mutually complementary".That painting and poetry are mutually complementary makes Chinese art full of charm. |
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| Keywords: | classical Chinese poetry traditional Chinese painting artistic conception comparison |
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