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论中国画意境中的诗性建构
引用本文:高伟. 论中国画意境中的诗性建构[J]. 佛山科学技术学院学报(社会科学版), 2009, 27(4): 94-96
作者姓名:高伟
作者单位:连云港师范高等专科学校,初等教育系,江苏,连云港,222006
摘    要:中国自古以来所表现出的文与艺浑整未分、互通有无、彼此不分的状态。使诗性和画境呈现出完美的一律性.在心理的熔化下形成“异迹而同趣”的审美意象。通过“禅意—诗意—画意”的途径,将景随时易的日回月周、寒署易节作为审美的对象。中国画意境中的诗性建构使绘画真正成为一种“时间品味方式”。这正是中国传统绘画的独特品性所在。

关 键 词:中国画  意境  诗性

Research on the Poetic Construction in Traditional Chinese Painting Mood
GAO Wei. Research on the Poetic Construction in Traditional Chinese Painting Mood[J]. Journal of Foshan University(Social Science), 2009, 27(4): 94-96
Authors:GAO Wei
Affiliation:GAO Wei(Lianyungang Teacher's College,Lianyungang 222006,China)
Abstract:Poetic nature and painting mood have been perfectly unified in the mutual interfusion of culture and art from ancient China.Thus,an aesthetic image filled with different drawing but the same interest has been created by means of mental apperception.The poetic construction has perceived painting as a real way of time appreciation,which is the unique character of traditional Chinese painting.
Keywords:traditional Chinese painting  mood  poetic nature  
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