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王九思北散曲小令用韵简析
引用本文:刘英波,张俊阁. 王九思北散曲小令用韵简析[J]. 西华师范大学学报(自然科学版), 2008, 0(1): 28-34
作者姓名:刘英波  张俊阁
作者单位:聊城大学文学院,山东,聊城,252059;山东师范大学文学院,山东,济南,250014
基金项目:聊城大学哲学社会科学基金
摘    要:王九思是明代中期一位在诗文、杂剧与散曲创作方面成绩卓著的文学家,他为明代散曲北曲的复苏与中兴做出的贡献可圈可点.分析归纳他的北散曲小令用韵情况可知:在其232首北小令作品中,押韵方式共8种,有17类75首超越元代周德清<中原音韵>的部界,用韵过宽.

关 键 词:王九思  北散曲小令  押韵方式  用韵宽严
文章编号:1672-9684(2008)01-0028-07
修稿时间:2007-03-06

Simple Analysis of the Rhyme of Wang Jiusi's Xiao Ling of Bei San Qu
LIU Ying-bo,ZHANG Jun-ge. Simple Analysis of the Rhyme of Wang Jiusi's Xiao Ling of Bei San Qu[J]. Journal of China West Normal University(Philosophy & Social Sciences), 2008, 0(1): 28-34
Authors:LIU Ying-bo  ZHANG Jun-ge
Abstract:Wang Jiusi was an eminent writer in the middle of the Ming Dynasty.He made a remarkable achievement on the creation of poems,Za ju,and San qu.His merit on the recovery and resurgence of San qu in the Ming Dynasty was very great.By analysing and suming up his Bei san qu,we know that there are altogether eight kinds of rhyme modes among his two handred and thirty-one Xiao lings.Some of them go beyond the scope of Zhou Deqing's Phonology of Central Plains,and the rhyme of some is too extensive.
Keywords:Wang Jiusi  Xiao ling of Bei san qu  rhyme mode  freedom and strictness of rhyme
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