| 从浪漫主义"中国化"看新文学本体论的生成 |
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| 引用本文： | 汤奇云.从浪漫主义"中国化"看新文学本体论的生成[J].深圳大学学报(人文社会科学版),2005,22(2):99-105. |
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| 作者姓名： | 汤奇云 |
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| 作者单位： | 深圳大学师范学院中文系,广东,深圳,518060 |
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| 摘 要： | 浪漫主义"中国化"过程,先后经历了新功利主义、文学无用论和艺术至上主义三个认识阶段.在这一过程中,由中国现代浪漫派提出了"为艺术而艺术"的口号.这口号既标志着新文学的自觉,也标志着新文学本体论的生成.
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| 关 键 词： | 浪漫主义 中国化 艺术自觉 新文学本体 |
| 文章编号： | 1000-260X(2005)02-0099-07 |
| 修稿时间： | 2004年6月8日 |
On the Ontological Founding of New Literature as Seen from the Sinicization of Romanticism |
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| TANG Qi-Yun.On the Ontological Founding of New Literature as Seen from the Sinicization of Romanticism[J].Journal of Shenzhen University(Humanities & Social Sciences),2005,22(2):99-105. |
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| Authors: | TANG Qi-Yun |
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| Abstract: | The sinicization of Romanticism went through stages of new utilitarianism, the idea of literature as useless stuff and art for art's sake. Chinese romanticists' advocacy of art for art's marked the self-awakening of new literature as well as its ontological founding. |
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| Keywords: | Romanticism sinicization art's self-awakening ontology of new literature |
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