| 土家族长阳南曲渊源新论 |
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| 引用本文： | 陈红,田冲.土家族长阳南曲渊源新论[J].湖北民族学院学报(自然科学版),2008,26(3):39-44. |
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| 作者姓名： | 陈红 田冲 |
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| 作者单位： | 中南民族大学文学院 湖北武汉430074 |
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| 摘 要： | 土家族长阳南曲的起源和传播方式学术界仍存在疑议。通过对演唱场景、乐器、曲牌、文本等方面论述可以看出昆山腔的水磨调是其源头；明代中期通过士大夫家乐和军队两种方式流传到了长阳，又通过容美土司家乐传播等方式得以逐步完善。
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| 关 键 词： | 长阳南曲 土家族 渊源 传播方式 明代中期 容美土司 学术界 昆山腔 |
A New Perspective on the Origins of Changyang Tujia South Opera |
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| CHEN Hong,TIAN Chong.A New Perspective on the Origins of Changyang Tujia South Opera[J].Journal of Hubei Institute for Nationalities(Philosophy and Social Sciences),2008,26(3):39-44. |
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| Authors: | CHEN Hong TIAN Chong |
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| Institution: | ( School of Literature, South - Central University for Nationalities, Wuhan 430074, China) |
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| Abstract: | There are still many doubts about the origin and the way of dissemination of Changyang South Opera of Tujia in the academic field. It can be seen that Shuimo Tune of Kunshan Opera is the origin of Changyang South Opera disscussed from such aspects as the scene, musical instruments, qupai and its text. It was handed down to Changyang by the officals＇ private theatrical troupe and army in the middle of Ming Dynasty, and has been perfected by the dissemination of the Rongmei Tusi chieftains＇ private theatrical troupe. |
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| Keywords: | Changyang South Opera origin the way of dissemination |
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