电影作品中的女性主义思想——以《摔跤吧!爸爸》为例

电影作品作为文化和思想的载体，能够有效传播各类思想和认知。随着女性地位的不断提升，电影中女性主义思想也愈发显现。印度电影《摔跤吧!爸爸》曾在中国一度热播，该片着力凸显女性主义，赢得了广泛的好评。有学者评论称，影片中的父亲马哈维亚无情地逼迫女儿走摔跤之路是男权制的表现，但通过对女性主义的形式和相关理论的探讨，分析电影中两位女主人公的人物形象，发现吉塔和巴比塔身上到处显露着女性主义色彩，她们坚持摔跤生涯是其主观认同和选择的结果，父亲更多扮演的是因材施教的引导者而非父权至上的决策者。影片体现了真正的女性主义思想，这对印度甚至全球女性解放事业产生了一定程度的积极影响。

Feminism in the Film: Dangal as an Example

As the carrier of culture and ideology,film works can effectively transmit all kinds of ideas.As the status of women continues to rise,feminism in the film has become more and more obvious.The Indian film Dangal,a hit in China,highlights feminism and wins wide acclaim.Some critics maintain that Mahavir,the father in the film,who ruthlessly forces his daughters to wrestle,is a clear demonstration of male domination.Through a discussion of the forms and theories of feminism,this paper analyzes the images of the two heroines Geeta and Babita in the film,and displays their feminism representations.Their perseverance in wrestling career is the result of their subjective choice and identification,and their father plays a role of an individualized guide rather than a decision-maker in a society marked by the supremacy of the father.This film,which authentically embodies feminism,will exert a profound impact on the women''s liberation in India and even the whole world.