| 水墨画的流变 |
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| 引用本文： | 郭殿声.水墨画的流变[J].甘肃联合大学学报(社会科学版),2006,22(3):87-89. |
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| 作者姓名： | 郭殿声 |
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| 作者单位： | 兰州交通大学,艺术设计学院,甘肃,兰州,730070 |
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| 摘 要： | 长期以来,中国画界有一种不成文的理解:水墨画就是中国画.其实这是一种误解,早期的中国画是重色重彩的,唐宋以降,中国主流绘画逐渐偏重于水墨形式,而现代中国画则是以丹青、水墨及其它各种材料形式多元并存,因此,分析水墨画的流变对当代中国画的发展和变革有重要的现实意义.本文从水墨画的理论与实践进行了论述.
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| 关 键 词： | 水墨 笔墨 文人画 |
| 文章编号： | 1672-707X(2006)03-0087-03 |
| 修稿时间： | 2005年3月2日 |
The Development of Wash Painting Moving forward along with Time |
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| GUO Dian-sheng.The Development of Wash Painting Moving forward along with Time[J].Journal of Gansu Lianhe University:Social Sciences,2006,22(3):87-89. |
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| Authors: | GUO Dian-sheng |
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| Abstract: | It has been long customary to think that the term "wash painting" is equal to the term "Chinese Painting",this ambiguous and unscientific thinking has caused hot discussion among many scholars,and its researching and practicing directly relates to the development and innovation of modern Chinese painting.Why do the brush and ink attract so much attention? This paper studies wash painting from the point of view of both theory and practice. |
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| Keywords: | wash painting pen and ink paintings of scholars |
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