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跨族群写作的审美建构与反思——以《额尔古纳河右岸》为中心的考察
引用本文:海晓红.跨族群写作的审美建构与反思——以《额尔古纳河右岸》为中心的考察[J].石河子大学学报(哲学社会科学版),2014(5):78-82.
作者姓名:海晓红
作者单位:北方民族大学 学报编辑部,宁夏 银川,750021
摘    要:在对跨族群书写的评判中,文学介入少数族群的视角、少数族群文化的文本呈现形态和文学介入族群历史的方式等方面成为关注的焦点。赢得广泛好评的《额尔古纳河右岸》在这个向度上提供了很好的范例:族内人的女性成长视角、少数族群文化的深情描摹及其以边缘姿态介入族群历史的叙述姿态等,无疑是跨族群书写值得借鉴的方面。与此同时,对少数族群文化图解式的描摹、人物塑造的平面化等缺陷也不容忽视。

关 键 词:《额尔古纳河右岸》  跨族群书写  族内人  族群文化  族群历史

Aesthetic Construction and Reflection of Cross-ethnic Writing in The Right Bank of the Argun
HAI Xiao-hong.Aesthetic Construction and Reflection of Cross-ethnic Writing in The Right Bank of the Argun[J].Journal of SHIHEZI University(Philosophy and Social Science),2014(5):78-82.
Authors:HAI Xiao-hong
Institution:HAI Xiao-hong (The Editorial Office of Journal, Northern University of Nationalities, Yinchuan 750021, Ningxia,China)
Abstract:In cross-ethnic writing criticism, the focuses are literary intervention in ethnic groups, the textualization of ethnic culture and the pattern of literary intervention in ethnic history. In light of this, The Right Bank of the Argun is an excellent example: the ethnic female perspective of Bildungsroman, the exquisite writing of ethnic culture, and the narration of marginal intervention in ethnic history, all the above aspects are worthwhile cases in cross-ethnic writing. However, some defects should not be ignored such as the imagery of ethnic culture, flattening of characters and so on.
Keywords:cross-ethnic writing  ethnic culture  ethnic history
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