| 萨满活动角色与“我”的分身术——萨满教文化与先锋小说 |
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| 引用本文： | 闫秋红.萨满活动角色与“我”的分身术——萨满教文化与先锋小说[J].中央民族大学学报(哲学社会科学版),2004(3). |
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| 作者姓名： | 闫秋红 |
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| 作者单位： | 暨南大学中文系 广东广州 510632 |
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| 摘 要： | 无论从叙述主体还是叙述方式来考察,萨满教对先锋小说都起到了启蒙的作用。可以说,马原的先锋小说既与拉美魔幻现实主义等外来影响相关,同时也是本土文化萨满教影响的结果。萨满是神界与人间的沟通者,跳神时萨满的灵魂可以暂时离开身体,自由地往来于天地之间。而先锋小说中的叙述主体"我",往往既是叙述人又是作者本人,同时,也可能被随时置换为其他人。叙述主体"我"分身有术,变幻莫测。"我"与萨满在功能和作用上达到了默契和一致。
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| 关 键 词： | 先锋小说 萨满教 后现代 叙述人 角色变幻 |
Role of Shaman and Narrator in the Avant-garde Novels |
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| YAN Qiu-hong.Role of Shaman and Narrator in the Avant-garde Novels[J].Journal of The Central University for Nationalities(Humane and Social Sciences Edition),2004(3). |
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| Authors: | YAN Qiu-hong |
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| Abstract: | There are many function and feature in common between primitive Shaman Religion and the Avant-garde novels.Shaman is divided into two roles,one is himself,another is supernatural being,this can exchange emotions between the people and gods.The narrator in the Avant-garde novels makes many out-standing questions,the narrator "I" have various free identities at the same time,this is similar to the shaman's magic role. |
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| Keywords: | the Avant-garde novel Shamanism narrator changing role |
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