艺术是时间的造物——浅析柏格森的“艺术——时间”观

柏格森的"艺术--时间"观是一个理论创举.他视艺术为时间的造物,认为它表现在三个方面:第一,在艺术创作的过程中,时间不是可有可无的附属品,创作时间的延长或缩短,都会影响到作品的内容;第二,就艺术作品本身而言,不但它的材料是从时间中沉淀下来的,而且传达媒介也具有时间性;第三,艺术鉴赏也是具有时间性的,读者由艺术作品所引起的体验分为三个从低到高的等级:感觉、情感与观念.柏格森的"艺术--时间"观首开从时间、动态的角度研究艺术作品的先河,并由此启发了后来的存在主义美学与接受美学等流派,具有深远的历史影响.

Art is the Product of Time

The art-time theory is Bergson's unique pioneering work. He holds that art is the product of time, which shows three respects: first, in the process of art creating, time is not the accessory, it's extension and contraction can influence the content of works; second, the material of works is sediment from time, and communication intermediary also have relation with time; third, art appreciation also possess time significance. The art-time theory of Bergson firstly review art works from time and trends angle, which inspires the later Existism Aesthetics and Acception Aesthetics, and it also has profound historic significance.