美丽总是愁人的--论作为一种审美体验的忧郁意识

将作为一种审美形态的悲剧视为艺术表现的最高形式由来以久,但现在来看事情并非如此.悲感现象里的哀怨表现是审美文化中的下品,作为对生命力的肯定的英雄悲剧也并不能达到审美体验的颠峰.只有与幽默感相通的忧郁体验,才能凭藉其生命深度达到审美意识的极限.清楚地认识这一点有助于人们在审美实践中更好地把握审美与人生的关系.

On the Sense of Melancholy as an Aesthetic Experience

As a kind of aesthetic consciousness, tragedy has long since been regarded as the supreme artistic expression, but that is not the case. The plaintive expression in grief phenomena is a lower taste in aesthetic culture, and the heroic tragedy as an affirmation to the life force cannot reach the crest of the aesthetic experience. With its depth of life, only a melancholy experience interlinked with a sense of humour can reach the ultimate of aesthetic consciousness. There-fore, a better understanding of this point is beneficial to the balance between aesthetic appreciation and human life in aesthetic practice.