言情慷慨与巧构形似--魏晋南朝诗歌意象美学风貌再比较

魏晋重情的时代风气促使诗歌中出现了主体情感笼罩、充满在客体物象之上的言情慷慨的主观性意象,它表现为强烈的主观情感对物象的拟人化改造和情感对意象组合的直接驱动与构结.与此相对的则是主体情感蓄敛、隐潜在客体物象之中的巧构形似的客体性意象,在客观性意象中,诗人尊重物象自身的生命特征,物象吸收、融化了情感,对一泻无余的情感冲击力加以形式化的审美节制与缓冲,形成诗歌意象浑融含蓄的审美空间.

Vehement Utterances and Ingenious Formal Similarities--Comparing the Aesthetic Style and Features of Imagoes in the Poems of the Wei,Jin,and Northern Dynasties

The emphasis on emotions and feelings in Jin Dynasty gave rise to impassioned subjective imagoes in poems, which are overwhelmed by the emotions of the subjects and filled with the images of the objects. The strong subjective emotions and feelings transform the images by personification, and the feelings directly drive and restructure the combination of imagoes. Opposite to it are the objective imagoes with ingenious formal similarities. This kind of imagoes, with the feelings of the subjects restrained, conceal themselves in the images of the objects. In the objective imagoes, the poets respect the living features of the images of the objects. The images absorb and melt the feelings and emotions. A perfect but veiled aesthetic appreciation space for the poetic imagoes is created by the aesthetic control over and cushioning of the formalization of the endless emotional driving force.