| 嬗变中的王蒙的创作观 |
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| 引用本文： | 王启凡. 嬗变中的王蒙的创作观[J]. 辽宁大学学报(哲学社会科学版), 2006, 34(3): 52-55 |
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| 作者姓名： | 王启凡 |
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| 作者单位： | 鞍山师范学院,中文系,辽宁,鞍山,114005 |
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| 摘 要： | 理想主义一直贯穿于王蒙20世纪50年代到80年代文学创作中,但90年代以来,随着市场经济的建立,社会文化的转型,王蒙的创作观也发生了改变,以承认“存在就是合理的”为基础,追求文学创作的多元化,在他的创作观中,加入了经验主义的内容,且带有后现代主义的倾向。
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| 关 键 词： | 创作观 理想主义 经验主义 后现代主义倾向 |
| 文章编号： | 1002-3291(2006)03-0052-04 |
| 修稿时间： | 2006-01-05 |
Wang Meng''''s Metamorphosing Writing Attitude |
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| WANG Qi-fan. Wang Meng''''s Metamorphosing Writing Attitude[J]. Jounal of Liaoning University(Philosophy and Social Sciences Edition), 2006, 34(3): 52-55 |
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| Authors: | WANG Qi-fan |
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| Abstract: | Idealism has been running through Wang Meng's literary creation during the period between 1950's and 1980's.Along with the establishment of market economy and transformation of social culture on the 1990's,however,his attitude has come to a change,which takes the recognition of existence is reasonable as the foundation and pursues literary pluralism.His literary creation has presented the content of experimentalism and a tendency of post-modernism. |
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| Keywords: | writing attitude idealism experimentalism tendency of post-modernism |
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