| 湘西傩堂戏的传承与社会属性 |
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| 引用本文： | 刘廷新.湘西傩堂戏的传承与社会属性[J].中南民族大学学报(人文社会科学版),2006,26(1):64-67. |
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| 作者姓名： | 刘廷新 |
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| 作者单位： | 玉林师范学院,艺术系,广西,玉林,537000 |
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| 摘 要： | 湘西傩堂戏源于中原汉族的傩堂戏,曾经历了傩祭傩仪傩舞傩戏的演变历程。流入湘西后,受到当地土家族、苗族民间习俗和民族艺术的熏陶及影响,在传承的过程中产生流变并打上“湘西”的烙印,其民俗性、宗教性独具特色,是湘西旅游文化中一道亮丽的风景,正被开发与利用。
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| 关 键 词： | 傩堂戏 传承 民俗性 宗教性 旅游文化 |
| 文章编号： | 1672-433X(2006)01-0064-04 |
| 修稿时间： | 2004年2月20日 |
Passing on of Exorcising Opera in Western Hunan and Its Social Property |
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| LIU Ting-xin.Passing on of Exorcising Opera in Western Hunan and Its Social Property[J].Journal of South-Central University for Nationalities:Humanities and Social Science,2006,26(1):64-67. |
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| Authors: | LIU Ting-xin |
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| Abstract: | Exorcising opera in western Hunan derived from Han nationality,and evolved from exorcising sacrifice,to exorcising ceremony,to exorcising dance and to exorcising opera.Influenced by folk custom and local art of Tujia and Miao nationalities,exorcising opera changed with western Hunan characteristics and is the best feature of tourist culture in western Hunan. |
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| Keywords: | exorcising opera pass on the property of folk custom the religious property tourist culture |
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