| 黑格尔与当代艺术命运 |
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| 引用本文： | 陈翔勤.黑格尔与当代艺术命运[J].东南大学学报(哲学社会科学版),2002,4(6):80-85. |
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| 作者姓名： | 陈翔勤 |
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| 作者单位： | 上海社会科学院,哲学研究所,上海,200235 |
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| 摘 要： | 黑格尔美学思想有体系维度和历史维度双重含义 ,他关于艺术终结论的思想预示着今天艺术的状况 ,现代性主义和后现代性主义艺术和文学运动在某种层面上是对黑格尔艺术终结论的历史证明 ,即当代艺术或文学的命运就是那种以美学为奠基的古典艺术走向解体和终结。
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| 关 键 词： | 艺术终结 体系维度 历史内涵 市民社会 世俗化 |
| 文章编号： | 1671-511X(2002)06-0080-06 |
| 修稿时间： | 2002年4月15日 |
Hegel and the fate of modern literature and art |
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| CHEN Xiang-qin.Hegel and the fate of modern literature and art[J].Journal of Southeast University(Philosophy and Social Science ),2002,4(6):80-85. |
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| Authors: | CHEN Xiang-qin |
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| Abstract: | Hegel's thought of esthetics has double content of systematic and historic dimension, his thought of the end fate of modern literature and art, is proved from the modernism and post-modernism movement of present art and literature, that is: the classical art or literature which founds its meaning and truth on esthetic basis is end or died in modern society. |
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| Keywords: | the end of art systematic dimention historic content civil society sophistication |
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