| 老庄道家古典生态存在论审美观新说 |
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| 引用本文： | 曾繁仁.老庄道家古典生态存在论审美观新说[J].文史哲,2003,2(6):5-11. |
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| 作者姓名： | 曾繁仁 |
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| 作者单位： | 山东大学,文艺美学研究中心,山东,济南,250100 |
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| 摘 要： | 长期以来,由于人们自觉或不自觉的以西方"主客二分"的认识论思维模式来规范老庄道家存在论思想,从而得出其消极倒退的结论。其实,老庄的道家思想是一种迥异于西方认识论的生态存在论审美观。它依据"天人之际"、"冲气以和"的理论,从"道法自然"的基本观点出发,论述了"道"作为宇宙万物诞育、人类生存发展之本原,人与自然万物共源齐一以及"无为无欲"、"无用之用"、"可道常道"、"大美无言"等带有明显中国特色的理论范畴,主张一种无欲与不争的、超越普通功利与物欲的审美的态度。同时,老庄还论述了带有"生物链"思想的"天倪"观与自我修养的"心斋"、"坐忘"之道以及建立"至德之世"的生态社会理想。老庄的这些思想已经是具有比较严密体系的中国古代生态存在论审美理论形态,成为同当时生产与社会发展不完全平衡的理论高峰。
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| 关 键 词： | 生态存在论 道法自然 冲气以和 万物齐一 天倪 坐忘 至德之世 |
| 文章编号： | 0511-4721(2003)06-0005-07 |
| 修稿时间： | 2003年8月15日 |
The Aesthetic ldea of Classic Ecological Existentialism in Taoism |
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| ZENG Fan,ren.The Aesthetic ldea of Classic Ecological Existentialism in Taoism[J].Journal of Literature,History and Philosophy,2003,2(6):5-11. |
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| Authors: | ZENG Fan ren |
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| Abstract: | This paper attempts to discuss the aesthetic ideas of classic ecological existentialism in Taoism,its key concepts and the"world of supreme morality"as a model of a society.It is reasonable to believe that these ideas have been constituted a theoretical form with coherence and profoundness of the aesthetic idea of classic ecological existentialism and a theoretic peak in the context in which the imbalance between the development of production and the development of the society has emerged. |
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| Keywords: | ecological existentialism natural as the model of Tao the harmony by means of the interaction between Yin and Yang everything as the same natural interosculation among things sitting immersing in emptiness world of supreme morality |
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