中国上古审美文化对日本绳文时代的影响

从中国和日本考古文物、古代文献、古史传说来看 ,中国上古审美文化对日本绳文时代审美文化曾产生重大影响。这种影响可分为早中晚三期 ,早期影响表现为以山东后李文化为代表的“太昊时代”审美文化对绳文时代草创期、早期审美文化的辐射 ;中期影响表现为以大汶口文化为代表的“少昊时代”审美文化对绳文时代前期、中期审美文化的渗透 ;晚期影响表现为商周时代青铜、玉雕等审美文化因素在绳文时代后期、晚期审美文化中的凝聚。由于接受了中国上古审美文化的影响 ,日本绳文时代无论是在太阳崇拜、火崇拜、凤鸟崇拜、鸡崇拜等深层文化观念方面 ,还是在整体造型、陶塑装饰、抽象纹样等审美形式方面都发生了相应的变化 ,从而呈现出由神秘古拙到神奇华美再到庄重秀雅的风格转换

The Influence of Ancient China''''s Aesthetic Culture on the Rope Culture Era in Japan

Comparing the cultural relics,ancient documents and historical legends between China and Japan,we can know that Chinese aesthetic culture in remote ages had a great influence on Japanese aesthetic culture in Rope Patterns Age.The affecting process can be divided into three periods.In the first period,aesthetic culture in China's Taihao Age which is represented by Houli culture radiated to Japan in the intial stage of Rope Patterns Age.In the second period,aesthetic culture in China's Shaohao Age which is symbolized by Dawenkou culture penetrated into Japanese aesthetic culture in the early and middle Rope Patterns Age.In the third period,the aesthetic factors of the Bronze culture and Jade Carving culture in Shang & Zhou dynasties were embodied in Japanese aesthetic culture in the late Rope Patterns Age.Influenced by Chinese ancient culture,Japanese aesthetic culture in Rope Patterns Age changed accordingly not only in deep cultural notion such as worship of sun,fire,phoenix and cock but also in aesthetic forms such as whole struture,pottery figure's decoration and abstract patterns.and its style went through the transition from primitive simplicity to gorgeousness,then to elegance.