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老松意象的审美特征与文化意蕴
引用本文:王颖.老松意象的审美特征与文化意蕴[J].阅江学刊,2013(1):144-148.
作者姓名:王颖
作者单位:安徽建筑工业学院
基金项目:安徽建筑工业学院博士科研启动项目
摘    要:先秦至魏晋六朝松树审美的核心是常青、劲直,从唐代开始,老松的沧桑、丑怪、雄奇之美受到文人更多的关注,体现出以怪奇为关、以新异为关的时代新趣尚。老松的物色关主要体现在形体美、姿态关和神韵美三个方面。老松意象还在长期的风俗承继和文学创作中积淀了一定的文化意蕴和比德内涵,指示着相应的符号意义。

关 键 词:老松  意象  审美特征  文化符号

Aesthetic Characteristics and Cultural Implication of Old Pine Images
WANG Ying.Aesthetic Characteristics and Cultural Implication of Old Pine Images[J].Yuejiang Academic Journal,2013(1):144-148.
Authors:WANG Ying
Institution:WANG Ying (Anhui University of Architecture, Hefei 230022, China)
Abstract:From the Qin Dynasty to the Wei, Jin and Six Dynasties, aesthetic core of pine is evergreen and straight. Since the Tang Dynasty, beauty of the old pine, such as vicissitudes of life, ugly, magnificent, received more attention from the literati, reflecting new aesthetic fashion:strange is beautiful. Physical beauty of the old pine is mainly represented in the three aspects: the figure, the posture and the charm, which is rich- ly described in literary works. Images of the old pine has accumulated some cultural implication in long-term customs inherited and literary creation and indicated corresponding significance of symbol.
Keywords:the old pine  imagery  aesthetic characteristics  cultural symbols
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