| 论拍胸舞“打七响”动作中所蕴涵的阴阳思想 |
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| 引用本文： | 黄明珠.论拍胸舞“打七响”动作中所蕴涵的阴阳思想[J].学术探索,2012(4):76-78. |
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| 作者姓名： | 黄明珠 |
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| 作者单位： | 福建师范大学 音乐学院, 福建 福州 350108 |
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| 摘 要： | 闽南拍胸舞"打七响"动作与中国传统阴阳思想密切相关。"打七响"基本动作是由人体上肢的"七击"动律和下肢的二拍步法及推胯动律有机配合而组成,由此而构成其独特的个性特征。拍胸舞以其表演形式和"打七响"动作形态,艺术地表现出中国传统阴阳思想的精微内涵。
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| 关 键 词： | 打七响 动作 阴阳思想 |
The Ideology "Yin and Yang" of "Daqixiang" Movement in Paixiong Dance |
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| HUANG Ming-zhu.The Ideology "Yin and Yang" of "Daqixiang" Movement in Paixiong Dance[J].Academic Research,2012(4):76-78. |
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| Authors: | HUANG Ming-zhu |
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| Institution: | HUANG Ming-zhu(Academy of Music,Fujian Normal University,Fuzhou,350108,Fujian,China) |
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| Abstract: | The "Daqixiang" Movement in Minnan Paixiong Dance is closely related to traditional Chinese ideology of "yin and yang".The basic movements in "Daqixiang" are formed by the "Qiji" movement of human upper limbs,the two-beat gait movement of lower limbs and the hips pushing movement.The performances of "Daqixiang" movements in Paixiong Dance show the connotation of traditional Chinese ideology of "Yin and Yang" artistically. |
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| Keywords: | "Daqixiang" movements ideology of "Yin and Yang" |
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