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传统诗美的认同与创造——评林庚20世纪30年代的诗
引用本文:陈世澄,罗振亚.传统诗美的认同与创造——评林庚20世纪30年代的诗[J].北京大学学报(哲学社会科学版),2000(3).
作者姓名:陈世澄  罗振亚
作者单位:哈尔滨师范大学!哈尔滨150080
摘    要:林庚 2 0世纪 30年代的诗 ,表现的是知识分子寻梦“路上”孤寂与渴求的个人化诗情。它与时代现实的中心情绪若即若离 ,空灵、雅丽 ;但也融入了现实因子与人类群体的深层体验。艺术上传统色彩更为浓郁 ,多得“晚唐的美丽”。它常选择传统意象传达现代情绪 ;为求语言的简隽常采用陌生化手段 ,或故意拷合向度相反、相对的两类意象、情思 ,给人以多元复调感 ,或创造不可重复的比喻 ,将事物化作内世界的暗示联想 ;尝试创作以五字音组为基础的整饬对应的“现代绝句”。林庚的诗是对传统诗美的认同与再造

关 键 词:传统诗美  “路上”  古典  创造

Identification with and Re creation of Traditional Poetic Aesthetics: A Review of the Poetry of LIN Geng in the 1930's
CHEN Shi,cheng and LUO Zhen,ya.Identification with and Re creation of Traditional Poetic Aesthetics: A Review of the Poetry of LIN Geng in the 1930''''s[J].Journal of Peking University(Humanities and Social Sciences),2000(3).
Authors:CHEN Shi  cheng and LUO Zhen  ya
Abstract:LIN Geng's poems in the 1930's expressed the individual poetic feelings of loneliness and yearning for the intellectual dream. They kept themselves at arm's length from the dominant mode of the time. They seemed misty aesthetical, but mixed with elements of reality and deeper experiences of humanity. Their traditional flarour was very strong, and they fully acquired `the beauty' of late Tang dynasty. The poet often expressed contemporary morale through traditional images. He often adopted strange media, or synthesized two opposite images and feelings.
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