| 辰河高腔目连戏：湘西民俗生活的文化表象 |
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| 引用本文： | 明跃玲,向凌.辰河高腔目连戏：湘西民俗生活的文化表象[J].湖北民族学院学报(自然科学版),2009,27(2):36-40. |
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| 作者姓名： | 明跃玲 向凌 |
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| 作者单位： | 吉首大学,师范学院,湖南,吉首,416000
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| 基金项目： | 湖南省教育厅科学研究项目 |
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| 摘 要： | 辰河高腔目连戏将宗教与世俗两种不同的文化融为一体，体现了中国传统文化的本质特征。戏中所蕴含的巫傩文化、灵魂信仰以及民俗生活都是民众的世俗精神的展演，因为它的创造者、表演者、欣赏者都来自于民间，他们的生活本身就是宗教化的世俗生活。辰河高腔目连戏已演变为一种民族性、历时性的活态文化，是湘西辰沅流域民俗生活的文化表象。
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| 关 键 词： | 辰河流域目连戏 文化表象 湘西民俗生活 |
Chenhe High-pitched Mulian Play:The Cultural Representation of Xiangxi Folk Life |
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| MING Yue-ling,XIANG Ling.Chenhe High-pitched Mulian Play:The Cultural Representation of Xiangxi Folk Life[J].Journal of Hubei Institute for Nationalities(Philosophy and Social Sciences),2009,27(2):36-40. |
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| Authors: | MING Yue-ling XIANG Ling |
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| Institution: | The Normal College of Jishou University;Jishou 416000;China |
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| Abstract: | Chenhe High-pitched Mulian play embodies the essential features of traditional Chinese culture,merging religious and secular cultures into an organic unity.The Witch-Nuo culture,soul belief and folk life contained in this play represent and perform civilian's secular spirit in that its creators,performers and appreciators are all from civic life which are secular as such.Chenhe High-pitched Mulian play has evolved into a living culture of nationality and historicity and become a representaion of the folk li... |
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| Keywords: | Mulian play along Chenhe valley cultural representaion folk life in Xiangxi |
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