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从人学解析“魔鬼”的艺术形象
引用本文:李国斌.从人学解析“魔鬼”的艺术形象[J].太原师范学院学报(社会科学版),2009,8(3):99-103.
作者姓名:李国斌
作者单位:山西师范大学,文学院,山西,临汾,041004
摘    要:魔鬼是一个内涵丰富的艺术形象,传统上我们通常把它单一地理解为上帝的对立面、恶的化身、人类罪恶的诱骗者,然而从人学的视角去分析的话,就会发现"魔鬼"的存在,纯粹是因为人的存在而具有意义的,魔鬼既是人的本我的体现,又是人的自然生命力的象征。从魔鬼与上帝的关系、与恶的关系、与人的关系三个方面,并且以精神分析学、文化学、政治学为不同的切入点,才能认识到魔鬼这一艺术形象在不同历史时期的丰富内涵及其演变脉络。

关 键 词:魔鬼    本我  权力  契约

Analysis of the Artistic Image of "The Devil" from Anthropology
LI Guo-bin.Analysis of the Artistic Image of "The Devil" from Anthropology[J].Journal of Taiyuan Normal University:Social Science Edition,2009,8(3):99-103.
Authors:LI Guo-bin
Institution:Department of Chinese Language and Literature;Shanxi Normal University;Linfen 041004;China
Abstract:The devil Satan is a complex artistic image in western literature. In tradition, people regard it as the opposite of God, the embodiment of evil and inducer of human crimes. However, if analyzed from the angle of anthropology, it can be revealed that the existence of the devil Satan becomes meaningful only because of man's existence. The devil is both the reflection of man's id and the symbol of nature's vitality. Only from the relations between the devil and God, between the devil and the evil, and between...
Keywords:the devil  evil  id  power  covenant  
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