| 艺术批评中的中国语境 |
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| 引用本文： | 聂琦峰. 艺术批评中的中国语境[J]. 南京工业大学学报(社会科学版), 2006, 5(3): 78-80,96 |
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| 作者姓名： | 聂琦峰 |
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| 作者单位： | 南京艺术学院,美术学院,江苏,南京,210017 |
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| 摘 要： | 中国当代艺术批评中常用“中国”与“西方”的二元对立式比较批评方法,但这种暗含敌意的方法在目前已失去其存在的意义,当前世界潮流已趋于一体化,需要的是更多的理解与合作,需要我们端正态度,主动地参与国际潮流的进程。
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| 关 键 词： | 二元对立 中国当代艺术 世界当代艺术潮流 艺术话语 |
| 文章编号： | 1671-7287(2006)03-0078-03 |
| 修稿时间： | 2006-02-14 |
Chinese Context in the Artistic Criticism |
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| Nie Qifeng. Chinese Context in the Artistic Criticism[J]. Journal of Nanjing University of Technology(Social Science Edition), 2006, 5(3): 78-80,96 |
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| Authors: | Nie Qifeng |
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| Abstract: | In the contemporary artistic criticism of China, the comparative critical method of duality opposition between the west and China is often used. But this method implying some hostile meaning has lost the value of its existence. In the modern times, the world tends to be the whole, which needs more understanding and cooperation, as well as new attitude, and active joining in the process of the international tide. |
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| Keywords: | duality opposition contemporary art of china contemporary artistic tide of the world artistic discourse |
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