《又见敦煌》:丝路精神的审美表达与情感认同

《又见敦煌》全新的观看空间既包含着古老敦煌的文化意涵,又以对话的形式激活了观众的情感记忆,通过对敦煌文化的视觉呈现,对丝路精神进行了审美化表达。情境体验这一戏剧形式重塑了观众的感知方式,使个体情感与演出空间相连,个体的审美经验被编织在承载着物质文化与精神文化的创意空间中,观众经由体验对敦煌文化产生了情感认同和审美认同,敦煌形象也在创意空间的多重表征下获得新的生命力。

Encore Dunhuang:The Aesthetic Expression and Affective Identity of the Silk Road Spirit

Encore Dunhuangprovides a new perspective for the presentation of ancient Dunhuang culture.The new viewing space contains both the cultural meaning of ancient Dunhuang and the emotional memory of the audience in the form of dialogue.The Silk Road spirit was aesthetically expressed through the visual presentation of Dunhuang culture.The dramatic form of situational experience reshapes the audience’s perception.The individual experiences are connected with the performance space.The individual aesthetic experience is woven in the creative space carrying the material culture and spiritual culture.The audience gains the affective and aesthetic identity of Dunhuang culture in the experience.And Dunhuang image also gains new vitality under the multiple representations of creative space.