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以神写形 以形传神——论南阳汉画像砖石图案审美艺术
引用本文:王蕊.以神写形 以形传神——论南阳汉画像砖石图案审美艺术[J].南都学坛,2003,23(3):11-12.
作者姓名:王蕊
作者单位:南阳师范学院美术系,河南,南阳,473061
摘    要:南阳汉画像砖石图案题材以其独特的艺术形式 ,传达着汉代艺术家对时代的深刻感受和对美好未来的向往 ,具有深邃的精神内涵。艺术家通过对传统图案艺术形式的继承和发展 ,并借助自然界的事物和形象 ,寄托和抒发了人的思想观念和生活情感。在艺术创作表现上 ,以“满”传神 ,以“动”传神 ,体现了中国造型艺术以神写形 ,以形传神 ,形神兼备的美学思想。

关 键 词:图案艺术  形神  美学思想
文章编号:1002-6320(2003)03-0011-02
修稿时间:2003年3月6日

To Describe the Essence from Its Appearance and to Achieve a Perfect Combination between Its Appe arance and Its Essence On the Design Art of Nanyang Stone and Brick Carvings in Han Dynasties
WANG Rui.To Describe the Essence from Its Appearance and to Achieve a Perfect Combination between Its Appe arance and Its Essence On the Design Art of Nanyang Stone and Brick Carvings in Han Dynasties[J].Academic forum of nandu,2003,23(3):11-12.
Authors:WANG Rui
Abstract:The design themes of Nanyang stone and brick portraits have their special art forms, expressing the artists' deep feelings for their times and their best wishes for the future in the Han Dynasty. The artists at that time based on the natural things and their images, inherited and developed the traditional art forms, expressing their emotions, ideas and thoughts, reflecting the aesthetics thoughts on image creation of the traditional Chinese plastic arts, i.e. "to base the essence on the perfection and creation", "to describe the essence from its appearance, to achieve a perfect combination between its appearance and its essence.
Keywords:design art  appearance and essence  aesthetics thoughts  
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