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现实主义,不能"那么"现实--对曹禺戏剧美学思想的反思
引用本文:易红霞.现实主义,不能"那么"现实--对曹禺戏剧美学思想的反思[J].暨南学报,2004,26(3):98-101.
作者姓名:易红霞
作者单位:易红霞(广州市文艺创作研究所,广东,广州,510095)
摘    要:回顾中国话剧百年史,中国话剧运动将现实主义等同于社会问题剧,从一开始就违背了现实主义的基本原则,现实得只有现实而没有艺术.正是在这个意义上,曹禺的创作实践和美学思想,他的神话般崛起和迅速湮没,他的"现实主义,不能那么现实"的原则,才成为中国话剧兴衰成败百年沧桑的历史见证,成为今日中国戏剧至为宝贵的精神财富.

关 键 词:曹禺  戏剧  现实主义  美学思想
文章编号:1000-5072(2004)03-0098-04
修稿时间:2004年1月3日

Realism Should not become such Reality--On Cao Yu's Aesthetic Thought of Theater
YI Hong-xiaGuangzhou Literature & Art Research InstituteGuangzhou ,China.Realism Should not become such Reality--On Cao Yu's Aesthetic Thought of Theater[J].Journal of Jinan University,2004,26(3):98-101.
Authors:YI Hong-xiaGuangzhou Literature & Art Research InstituteGuangzhou  China
Institution:YI Hong-xiaGuangzhou Literature & Art Research InstituteGuangzhou 510095,China
Abstract:Looking back at the 100-year-history Chinese spoken drama,the Spoken Drama Movement disobeyed from its beginning the basic principle of realism, for it regarded social problem plays as realism. And the so-called realism is too realistic to be of art. Therefore, Cao Yu's writing practice and aesthetic thought, his mysterious rise and rapid fall, his 'realism should not become such reality', have turned out to be a historical testimony of the 100-year-history Chinese spoken drama as well as the most valuable wealth of Chinese theater today.
Keywords:Cao Yu  theater  realism  aesthetic thought
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