论席勒的激情观

席勒的《论激情》和散见于各篇的关于激情的言说，不仅对当时文坛中不表现人性的真相的新古典主义创作和为了激情而激情的创作进行了反驳，而且对激情的类型，激情的表现，激情对于人性完善的意义，激情与悲剧、崇高的联系进行具体和深入的阐述。其激情观将激情与悲剧性、崇高联系起来，拓展了三者的内涵，扬弃了柏拉图激情神附和郎吉弩斯将激情“神化”的倾向，将激情与审美教育结合起来，把激情从形而上学的玄学领域回归于审美领域,回归于人的生活世界，在西方美学史上具有承前启下的意义和价值。

On Schiller's View of Passion

Schiller's On Passion and other words scattered in various articles about passion not only refuted neo-classi-cism which did not show the truth of humanity and created passion for the purpose of passion,but also gave a deep il-lustration of passion as to its types, performance, its significance to the perfection of humanity, and its relationship with tragedy and loyalty. His view of passion, by combing passion, tragedy, and loyalty, discarded Plato s and Longinus' passion theory, and put passion into aesthetic field and human world from the dark learning of metaphysics, thus it has great significance in linking between the preceding and the following in western aesthetic history.