| 论声乐钢琴伴奏的歌唱性弹奏 |
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| 引用本文： | 竺乐乐.论声乐钢琴伴奏的歌唱性弹奏[J].吉林师范大学学报,2007,35(2):120-122. |
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| 作者姓名： | 竺乐乐 |
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| 作者单位： | 吉林师范大学音乐学院 吉林四平136000 |
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| 摘 要： | 任何事物都是对立统一的,歌唱与钢琴伴奏两者也既有各自的特点,又有统一的平衡关系。一般的乐器都是看得到的实物,而声乐的“乐器”则是摸不到的“人体器官”。面对这样一个细腻的发声体,如何用钢琴伴奏的歌唱性弹奏来烘托出声乐的复杂而奇妙的情感,以达到相得益彰的效果,是值得研究和分析的。
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| 关 键 词： | 声乐 演唱者 钢琴伴奏 歌唱性 |
| 文章编号： | 1007-5674(2007)02-0120-03 |
| 修稿时间： | 2007年3月17日 |
On the Singing - style of Playing of Piano Accompaniment for Vocal Music |
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| ZHU Le-le.On the Singing - style of Playing of Piano Accompaniment for Vocal Music[J].Jilin Normal University JOurnal:Humanities & Social Science Edition,2007,35(2):120-122. |
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| Authors: | ZHU Le-le |
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| Institution: | ZHU Le - le ( College Music of Jilin Normd Uniersity, Siping, Jilin, 13600, China) |
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| Abstract: | Everything is in unification of opposites. Both Singing and piano accompaniment, have their own characteristics, and must the balance keep the balance too. General instruments can be physically seen, but vocal music "instruments" are untouchable "human organs". Facing with such a delicate audible body, how to use singing - style playing of piano accompaniment to express a complex and wonderful feeling to achieve the com plementary effect, is worthy of study and analysis. |
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| Keywords: | vocal music singer piano accompaniment singing-style |
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