论音乐剧唱段的演绎思维——基于戏剧表演的视角

音乐剧唱段是剧作者与作曲家为塑造人物形象和营造戏剧情境而创作的综合性戏剧片段。音乐剧唱段演绎应根植戏剧表演要义:准确塑造人物形象，营造戏剧情境。从音乐剧唱段演绎要把握戏剧、音乐、语言、演唱、形体等五个因素，理解人物形象典型性格及音乐剧的情境，辩证思考“技术与内容”“音乐与戏剧”“演员与角色”“歌舞与故事”之间的关系等维度，分析音乐剧唱段演绎的逻辑思维、形象思维、辩证思维，解决音乐剧唱段演绎中出现的“人保音乐”“人保词”“人保戏”等失衡问题，确立“音乐保人”“词保人”“戏保人”音乐剧唱段演绎路径。

On the Deductive Thinking of Musical Aria from the Perspective of Drama Performance

Musical aria is a comprehensive drama segment created by playwrights and composers to shape dramatic characters and promote dramatic situations. The interpretation of musical aria requires not only accurate musical expression, but also full dramatic promotion. The five elements, i.e., play, music, language, singing and gesture should be grasped. From the “three dimensions” of logical thinking, image thinking and dialectical thinking of musical aria interpretation, the theoretical connotations of “five factors”, “three situations” and “four characteristics” of musical aria interpretation are respectively explored, and the practical path to solve the imbalance phenomenon of “music sponsor”, “word sponsor”, “drama sponsor” instead of “man sponsor music”, “man sponsor word” and “man sponsor drama” is refined