| 新类型公共艺术中的话语权力转移——以西湖国际雕塑展为例 |
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| 引用本文： | 徐顺毕. 新类型公共艺术中的话语权力转移——以西湖国际雕塑展为例[J]. 宁波大学学报(人文科学版), 2020, 33(3): 122-126 |
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| 作者姓名： | 徐顺毕 |
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| 作者单位： | (宁波大学 潘天寿建筑与艺术设计学院,浙江 宁波315211) |
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| 摘 要： |
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| 关 键 词： | - |
XU Shun-bi |
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| XU Shun-bi. XU Shun-bi[J]. Journal of Ningbo University(Liberal Arts Edition), 2020, 33(3): 122-126 |
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| Authors: | XU Shun-bi |
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| Affiliation: | (Pan Tianshou Academy of Architecture and Art Design, Ningbo University, Ningbo 315211, China) |
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| Abstract: | The new genre public art evolves from the original propaganda demands towards more interactions with the public and the role of the artistic work shifts from “the narrator” to “the carrier”. This shift shows that the tendency of the discourse power of the art shifts from the artist to the public. West Lake International Invitational Sculpture Exhibition is a typical exhibition of New Genre Public art in the China. It embodies a new stage of the public art development and shows the agreement between art and the regional culture of South China. With the progress of the exhibition, the relationship between the public and the works of art is closer. It not only activates the regional cultural memory but shows the direction of public art development |
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| Keywords: | new genre public art discourse power West Lake International Invitational Sculpture Exhibition |
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